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Clef: TrebleTreble
Participation: 100%
Unique Durations: 1-3
Unique Notes: 16 - 20
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edward.maurath
HWV8A2N12 - "Dorinda, ove hai tu poste le tue speranze?" (1712)
edward.maurath
0:49 Est. Play
Time
10 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 14 9 2 100%
Bass 9 2 1 3 100%
Alto 10 0 4 3 100%
Violoncello Bass 6 0 1 3 100%
 
HWV61A1N8 - Oh memory, still bitter to my soul!
edward.maurath
0:35 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 17 12 5 4 100%
HSC
RH		 Treble 16 11 5 3 100%
VCL- Bass 9 0 2 4 100%
Vla 8 0 1 4 100%
Vln
1		 Treble 9 0 2 2 100%
Vln
2		 Treble 8 0 3 3 100%
VNE- Bass 9 0 2 4 100%
GOBRIAS Bass 13 0 4 4 92%
 
HWV5A3N6: Ah sommi Dei, cui la giustizia arruota (Esilena)
edward.maurath
2:16 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Contniuo) Bass 12 0 4 3 100%
Harp (Continuo) Treble 18 40 5 3 97%
Bass 17 20 5 4 83%
Esilena 15 0 6 6 97%
 
HWV8A1N3 - "Ah! Infelice mia patria," Act 1
edward.maurath
1:25 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 23 7 3 100%
Bass 11 0 5 3 100%
Amarilli 13 0 5 3 100%
Violoncello Bass 11 0 5 3 100%
 
HWV8A2N12a - "Non me fuggir, crudele" (Dorinda)
edward.maurath
0:33 Est. Play
Time
7 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 11 5 2 100%
Bass 5 1 0 2 86%
Violoncello Bass 4 0 0 3 100%
Alto 9 0 2 3 86%
 
BWV 999: Prelude in c minor for lautenwerk
edward.maurath
1:55 Est. Play
Time
43 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Harpsichord Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
Lute Treble 17 1 7 2 100%
Bass 18 0 7 2 100%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
HWV1A2N26 - Svenerò chi fa guerra a questo cor
edward.maurath
1:23 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 16 23 3 3 100%
Bass 17 2 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Violone Continuo Bass 16 0 2 4 100%
Tenor
as Osman		 12 0 1 5 89%
 
HWV8A1N1 -"Ah! nò, sia pur pietosa" (Mertillo)
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
HWV8A1N1 - "Ah! nò, sia pur pietosa" recitativo secco
edward.maurath
0:57 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 18 18 4 3 100%
Bass 11 1 2 3 100%
Mirtillo 11 0 3 3 100%
Violoncello Bass 10 0 2 3 100%
 
Cornelia, "Priva son d'ogni conforto" from HWV 17, Giulio Cesare
edward.maurath
12:33 Est. Play
Time
114 Measures
1,315Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Lute Treble 17 1 3 2 100%
Bass 17 1 3 2 100%
Celli Bass 17 0 3 2 100%
Continuo Bass 17 0 3 3 100%
Contrebaß Bass 17 0 3 2 100%
Violas 16 0 5 3 100%
Violins Treble 23 60 8 6 100%
Vln
2		 Treble 23 60 8 4 100%
Flute Treble 20 0 5 6 89%
Cornelia 15 0 5 7 88%
 
HWV17A3N02Y1724 Sinfonia in D Major, "La battaglia"
edward.maurath
0:52 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 13 0 1 3 100%
Bass 11 0 1 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bassoon Bass 13 0 1 3 100%
Bass 11 0 1 3 100%
Harpsichord Treble 13 0 1 3 100%
Bass 13 0 1 3 100%
Oboe Treble 13 0 2 4 100%
Treble 18 0 2 2 100%
Celli Bass 13 0 1 3 100%
Continuo Bass 13 0 1 3 100%
Kontrebaß Bass 13 0 1 3 100%
Violas 11 0 1 3 100%
Violini Treble 18 0 2 2 100%
 
HWV56N03 Messiah "Every valley shall be exalted"
edward.maurath
4:39 Est. Play
Time
84 Measures
2,408Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played

HSC
RH		 Treble 18 59 3 2 100%
HSC
LH		 Bass 20 60 3 3 100%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played

HSC
RH		 Treble 18 59 3 2 100%
HSC
LH		 Bass 20 60 3 3 100%
Bassoon Continuo Bass 18 0 3 4 99%
Cello Bass 18 0 3 4 99%
Violone Bass 17 0 3 4 99%
Vln
I		 Treble 20 0 3 5 87%
Vln
II		 Treble 18 1 2 5 87%
Bassoon 16 0 2 3 86%
Vla 16 0 2 3 86%
Oboe Treble 22 1 4 6 83%
Tenor Treble 13 0 2 6 73%
 
HWV56N25 - And with His stripes we are healèd
edward.maurath
3:04 Est. Play
Time
92 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 19 89 7 3 100%
Bass 15 20 5 3 86%
View all 11 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organ Treble 19 89 7 3 100%
Bass 15 20 5 3 86%
Cello Bass 21 0 6 3 89%
Contrabass Bass 21 0 6 3 89%
Viola 17 0 6 4 82%
Tenor 16 0 6 4 81%
Soprano Treble 15 0 5 4 74%
Violin
I		 Treble 15 0 5 4 74%
Bass Bass 15 0 5 3 70%
Alto 17 0 5 4 67%
Violin
II		 Treble 17 0 6 4 67%
 
HWV17A3N09Y1724 Cesare, "Quel torrente che cade dal monte" in C Major
edward.maurath
2:48 Est. Play
Time
157 Measures
1,037Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 2 4 3 99%
Bass 21 4 4 4 100%
Violoncello Continuo Bass 21 0 4 4 97%
Cesare 15 0 3 6 71%
Violins Treble 22 0 5 7 69%
Kontrebaß Bass 15 0 1 3 43%
Celli Bass 14 0 0 3 41%